THE ACE CO-PRODUCTION LAB IN HONG KONG (ACL IN HK) is an exclusive 4-day workshop that will gather a group of European & Chinese professionals in Hong Kong from the 14th to the 17th of March 2016 during the HAF (Hong Kong – Asia Film Financing Forum). This workshop aims to develop the opportunities for artistic and financial cooperation between these two zones and cultivate a better understanding of each other’s professional environment. It will consist of case studies, marketplace presentations, pitching sessions, networking events and one-to-one meetings.
o Number of Participants: the Selection Committee will select 5 EU and 5 Chinese producers
o Application Deadline: 11th January 2016
o Announcement of Selection: late January 2016
o Language Spoken: English
SELECTION OF PARTICIPANTS
Eligibility Requirements for Submission
In order to make sure that the ACE Co-production Lab in Hong Kong is as fruitful as possible for each of the participants, and to comply with our contract with our funder Creative Europe, several eligibility requirements have been established.
The applicant must:
1) be an experienced independent European producer having theatrically released at least one feature film in his/her own country and be credited as the main producer of that film (fiction, documentary or animation),
2) have one feature film project underway for co-production between the EU and China, and be the majority producer of that project,
3) be based in a Creative Europe country.
Note: Priority will be given to the most experienced producers currently working on a live-action fiction feature film.
If you wish to participate in the ACE CO-PRODUCTION LAB IN HONG KONG (ACL IN HK):
1. You must first confirm your interest and request your application form from Ms. Erin Floyd (firstname.lastname@example.org) by the 5th of January. Please include your contact details, a short description of the project you wish to submit and your filmography in this first email in order for us to confirm your eligibility;
2. If you are eligible, you must submit your completed application (form and requested documents, including the script in English) by the 11th of January 2016 by email to email@example.com
The participation fee for EU producers amounts to €950 (+ VAT when applicable), which includes the return airplane tickets from Paris to Hong Kong (group departure from Paris), the city transfer and full board accommodation.
Any other related costs are excluded and will be the full responsibility of the selected producer.
It is payable by credit card via the Paypal link on our website (http://ace-producers.com/ace-co-production-lab-in-hong-kong-2016).
With the support of in collaboration with
Talking Documentary, Galway Film Centre’s annual Film and TV seminar will take place on January 15th and 16th, 2016 with special guests Asif Kapadia (AMY, SENNA) and Sean McAllister (A SYRIAN LOVE STORY). It will consist of 2 days of talks, panel discussions and screenings on many aspects of documentary and will be run in association with Creative Europe Galway, the BAI, TG4, the IFB and Screen Training Ireland.
On Saturday January 16th, Asif Kapadia will be interviewed about his work by documentary filmmaker, Pat Collins. Asif’s recent film, AMY, the biopic about Amy Winehouse, is on the longlist for the Oscars 2016 and broke box office records when it was released this Summer. Also, AMY won Best European Documentary at the European Film Awards on December 12th.
Sean McAllister, whose film A SYRIAN LOVE STORY, won the Grand Jury Prize at Sheffield DocFest this year, will be interviewed about his approach to his work as a self –shooting, observational documentary maker. Sean will be interviewed by GMIT Film & Documentary lecturer, Felim McDermott.
The Do’s and Don’ts of Pitching and The European Documentary Landscape will be covered by Paul Pauwels, Director of the European Documentary Network. Paul, who is attending the seminar in association with Creative Europe Galway, will also conduct one to one meetings with filmmakers.
Friday afternoon, there will be a panel discusssion with Keith Potter, Ken Wardrop and Daisy Asquith, which will be chaired by Ross Whitaker. Also, on Saturday morning, director Richard Curson Smith will be interviewed by documentary filmmaker, Paula Kehoe about Documenting the Arts. Smith recently directed STRONGER THAN DEATH about the poet Ted Hughes for the BBC.
The seminar will open with a gala UNESCO City of Film screening of A SYRIAN LOVE STORY at An Taibhdhearc Theatre on Thursday January 14th at 8pm, with director, Sean McAllister, in attendance.
Tickets to this seminar are limited. To book a place, email firstname.lastname@example.org or phone 091-770748. More information at www.galwayfilmcentre.ie #TalkingDoc
For more information, contact:Mary Deely, Training Manager, Galway Film Centre. E:email@example.com
ASSET training fund is aimed at specialist design skills for digital and physical production.
ASSET is a flexible and bespoke training initiative led entirely by the individual participant. The scheme is targeted at design skills for digital and physical production with particular emphasis on specialist technology and design skills, including software training and cutting edge international industry practice.
The scheme is targeted at design professionals at all levels, from senior artists and HODs to new entrants, and aims to support the development of key talent at all levels in the following areas:
Candidates can apply for an individual training fund of up 70% of the cost of training, up to a maximum of €5,000, with which they can choose a range of training interventions in order to enhance their specialist skills. The fund may be used for any of the following:
– Mentoring: ASSET funding may be utilised to pay a mentor, and support the cost of travelling overseas for mentoring sessions
– Peer to Peer Learning: ASSET funding may be used to cover the expenses of international networking in order to facilitate peer to peer learning.
– Online training: ASSET funding may be put towards online training, for example Animation Mentor, Gnomon, Digital Tutors, FXPHD, etc.
– Work placement: ASSET funding may be used to support the candidate during unpaid periods of shadowing or work placement either locally or internationally
– International training: ASSET funding may be used to pay the costs of high level international training otherwise unavailable in Ireland, and included one-to-one bespoke training
– Local training: ASSET funding may be put towards the cost of appropriate local training offered by any local training providers, including but not limited to Screen Training Ireland.
If you would like to discuss your ideas for personalised training and development, or find out if your specific skills needs might be eligible for ASSET support, please contact firstname.lastname@example.org Ph: (01) 6775301.
You can find out more about the ASSET initiative and download an application form here
Deadline for applications: Friday 30th January 2016.
Fingal Film Festival announce the opening of their 2016 submissions. The end of this year sees the beginning of the submission process for the fifth instalment of Fingal Film Festival’s annual event, which will take place in September 2016.
As part of the centenary celebrations in 2016, the festival will be dedicating a slot in the schedule for all subjects relating to the 1916 Rising. Filmmakers creating content in any of the mediums screened at the festival are encouraged to submit for possible inclusion in the Fingal Film Festival 2016.
The opening of the Festival’s submissions for 2016. The categories are as follows:
• Irish Language
• International Films
• Short Films
• Feature Films
• Student Films
• Fingal Newcomer Media Award– (Director / Writer / Producer / DOP (Living in Fingal Area))
• Outstanding Achievement in Media Award – (Director / Writer / Producer / DOP / Journalist) This award will be given to any filmmaker who breaks new ground in any of the categories or creates a new way of storytelling.
Big Stories on the Small Screen is a major new initiative aimed at building a landscape of excellence in writing, producing and directing long-form screen drama from Ireland. Funded by the Broadcasting Authority of Ireland in association with the Irish Film Board, Big Stories is headed by BAFTA-winning director, writer and producer Neasa Hardiman.
The initiative launches on Saturday with a day-long conference. Highlights include a keynote lecture by Michael Hirst, creator of THE TUDORS, VIKINGS and CAMELOT as well as the BAFTA-winning ELIZABETH and ELIZABETH: THE GOLDEN AGE.
Former MD of Company Pictures John Yorke will reveal the structure behind successful storytelling. And the creative team behind LOVE/HATE will discuss their collaboration.
The day also includes discussion with Ireland’s foremost producers Morgan O’Sullivan and James Flynn, prominent film maker Katie Holly and Emmy-award winning director Dearbhla Walsh.
The event is already booked out, but you can join the conversation live on Twitter @BigStoriesIRL, or via Facebook page Big Stories on the Small Screen.
Screen Training Ireland is delighted to support Dublin Editors in Conversation with Nick Emerson, THE HALLOW, STARRED UP, GOOD VIBRATIONS. This event will take place in Dublin on Friday the 28th of November at 5pm.
If you’re interested in attending please email email@example.com, Dublin Editors will be in contact to advise if you have been successful or not. Please note, only one ticket per application, and one application per person NO EXCEPTIONS.
Dublin Editors is a group for editors, in Dublin and across Ireland. It’s a place to meet, to swap ideas, to post jobs, to ask for help. For further information on this event and on Dublin Editors please visit www.dublineditors.com or follow on facebook www.facebook.com/DublinEditors or Twitter @DublinEditors
Screen Producers Ireland (SPI) CEO, Barbara Galavan, was today elected Chair of the European Coordination of Independent Producers (CEPI), in Prague.
CEPI was founded in 1990 to represent the interests of independent cinema and television producers operating in Europe.
With a dedicated office in Brussels the Coordination represents 6,000 European based production companies all contributing to European culture and their creative economies.
Collectively, members of CEPI supply thousands hours of new programming annually to European broadcasters.
Speaking after her election SPI CEO Barbara Galavan said:
“I am honoured to accept the position of Chair of CEPI and am conscious of the responsibility it bestows. It is a time of great change for the audio-visual industry. This presents tremendous opportunities and challenges. It behoves us, as the unified voice of independent TV producers, to communicate a clear and strong message from the sector to the European Commission at this critical time as they attempt to legislate for the change that the digital revolution has brought.”
She paid tribute to outgoing Chair Werner Muller from the Austrian Producers Association for his dedication and commitment to the CEPI agenda for the past 4 years.
Elena Lai, General Secretary of CEPI said:
“We are very pleased with Barbara’s appointment as Chair. As a Board member for the last 3½ year’s she is very familiar with the challenges CEPI faces in communicating its message at a European political level. It is worth noting in the context of the topical gender and equality agenda that CEPI has today elected their first female Chair.”
Screen Leaders is the leading Strategic Company Development Programme for the Screen Industries.
The final module of the Screen Leaders 2015 programme takes place in Glasgow from the19th to the 22nd of November. Speakers for Module 3 of the 2015 programme include; Oli Hyatt, Founder and Creative Director, Blue Zoo; Andrew Sheldon, Founder & Creative Director of Leeds based TV company True North; Michael Coldewey, CEO, Trixter; Andrea Calderwood, Producer, Potboiler/Slate Productions; Mike Bell, Encycle Studios, producer of Simon’s Cat; Vratislav Šlajer, CEO of Czech based company Bionaut; Kris Kelly, CEO, Blacknorth, and Christophe Vidal, Director of Natixis Coficine Bank.
Screen Leaders in association with Creative Scotland and Creative Europe Desk UK – Scotland will present a seminar as part of the Module entitled Building a Sustainable Business – Creating the Future you Seek in the Lighthouse, Glasgow for local Scottish Industry and Screen Leaders participants, to provide networking opportunities with local industry.
Screen Leaders is industry led, responsive and custom designed to the needs of the participating companies so that it is effective as a training intervention and has real results in the work life and long term development of the participating individuals and companies. It tailors the course content to meet the current needs of the companies so every year there is an evolution in the action to address the specific needs of the companies selected.
Over a six month period participants develop a strategic plan for their business that is execution lead. During the process participants have company meetings and one to one mentorship throughout the programme to develop their company strategy and also their own personal style of leadership. The course will focus on strategy and leadership, building innovation processes, brand development, culture and team building, financial planning, managing the developing process and influencing and leading people.
In an industry in constant turbulence SCREENLEADERS is a bespoke programme that allows companies the time and space to step back and plan strategically for the future growth and development of themselves and their company.
Participants for 2015 include;
Mikrofilm AS, Norway
Lisa Fearnley, Managing Director/Producer
Rut Hermannsdóttir, Producer
Rippleworld Pictures Ltd, Ireland
Dominic Wright, Joint Managing Director/Producer
Jacqueline Kerrin, Joint Managing Director/Producer
Once Were Farmers, Scotland
Will Adams, Owner/Producer
Rory Lowe, Owner/Producer
Treasure Entertainment, Ireland
Rebecca O’Flanagan, Company Director
Claire McCaughley, Producer
Media Factory, USA
Niall McKay, Owner/Producer
Marissa Aroy, Owner/Director
Treehouse Republic, Ireland
Stephen Fagan, Managing Director
Dale Robinson, Operations Director
Pirate Productions, Scotland
Annie Griffin, Company Director
Jenny Williams, Company Manager
Bow Street, Ireland
Paul O’Connor, General Manager
Shimmy Marcus, Creative Director
Helen McMahon Programme Director Screen Leaders said:
“We are delighted to present the final module of Screen Leaders in Scotland providing a valuable networking event with local Scottish industry with the support of Creative Scotland and the Creative Europe Desk UK – Scotland. The calibre of speakers attending this module is of the highest international level and their expertise is of great value to the development of the participating Screen Leaders companies who are now entering the implementation process of their business strategy”.
Screen Leaders in association with Creative Scotland and Creative Europe Desk UK – Scotland
Present The Screen Leaders Seminar
Building a Sustainable Business – Creating the Future You Seek
Screen Leaders is Creative Europe’s Strategic Company Development programme for the European Screen Industries. It is designed for company leaders working in film, television, animation, digital media, exhibition, post-production, facilities, sales and distribution.
The Screen Leaders Seminar in Glasgow will focus on areas such as: scaling your company, how to succeed in a volatile marketplace, and positioning yourself in the value chain. It will explore the business models of Film, TV, Animation and VFX
companies who have gone through a phase of business growth and expansion, with a focus on the international market. The seminar will include case studies and a panel session with the following speakers:
Michael Coldewey, CEO, Trixter (Germany, LA, Canada)
Founded in 1998 by Michael Coldewey and Simone Kraus TRIXTER Film is one of Germany’s leading animation and visual effects studios, with offices in Germany in Munich/Berlin, and Los Angeles, CA. In 2015 TRIXTER will open its Studios in Toronto, Canada.
Kris Kelly, CEO, Blacknorth & Blackmarket (Northern Ireland)
Blacknorth is a BAFTA award winning studio that provides Graphics and VFX for local and international clients. Blackmarket produces award-winning, innovative and exciting media content for the film and game industries.
Vratislav Šlajer, CEO, Bionaut (Czech Republic)
Bionaut is an award winning film and TV company based in Prague, Czech Republic. It has produced over 10 features since its establishment and will be shooting two major TV series with Czech Television this year, it has several film and TV projects in development including a major documentary and dramatized series with HBO Europe
Mike Bell, Encycle Studios, Producer of Simon’s Cat (London and Northern Ireland)
Along with Simon Tofield he is co-founder of Simon’s Cat, the most successful animation character series on YouTube (3,300,000+ subscribers and 585,000,000+ views to date). Based on the success of the series on YouTube, Simon’s Cat has sold over 1.5 million books in 27 territories (the first book was the No.1 Humour book in the UK) and launched over 100 licensed products.
Chairs: Simon Shaps, TV Executive, Simon Shaps Productions and Bernie Cullinan, Course Director Strategy, Screen Leaders
Date: 20th November, 2015
Venue: Lighthouse, 11 Mitchell Lane, Glasgow
Times: 2.00 – 5.00pm followed by network reception
Places are limited please rsvp by Wednesday the 18th November to firstname.lastname@example.org
Screen Leaders is an initiative of Screen Training Ireland supported by the Creative Europe Programme.
Screen Training Ireland is the training arm of the Irish Film Board/Bord Scannán na hÉireann